53 Ganymede – S03 E05

The fifth episode of this season of 53 Ganymede is available now! (Click the image below to read.)

Next month we will be half way through the final season already! I have some big plans for episode 6 and I think you may find some of the answers that you’ve been looking for.

Don’t forget to review 53 Ganymede on Web Fiction Guide — reviews really help bring attention to the series — or share with your friends. You can also leave me a comment to let me know what you think!

To my fellow Canadians — have a great long weekend! To everyone else — have a great weekend, however long it may be. As always, thanks for reading!

53 Ganymede – S03 E04

Hey everyone! The fourth episode of this season of 53 Ganymede — Strange Day — is available now! (Click on the image below.)

I mention briefly in the author’s note at the end of the episode that I’m looking into creating a reference guide of sorts for the characters of Ganymede. This would just be a who’s who of the series including some little tidbits of information and, hopefully, some character art. I’m looking into art commissions now, but I don’t know if I’ll be able to get everyone done all at once. If there’s a character you’d love to see let me know in the comments!

Thanks for reading. Episode 5 will be out Friday, May 17th.

53 Ganymede – Season 3, episode 2

Episode 2 of this season of 53 Ganymede is out now (click the above image to find it!)

This month’s episode was a bit of a challenge — sleepless nights with a teething baby, a cold, a bout of mastitis — but we made it. Let me know what you think in the comments and don’t forget to leave a review at Web Fiction Guide to help other people find the series. It means a lot!

The next episode will be released Friday, March 15th.

53 Ganymede: Episode 11 – Departures

We recently had Thanksgiving here in Canada, and apparently it was still on my mind while I was writing because this month’s episode ended up all about community and gratitude.

Speaking of gratitude, I’m so thankful for the readers who’ve stuck with this quirky little story. It’s amazing to be able to share these characters with other people, and I’m so excited for everyone to find out what happens next.

There is only one more episode this season — releasing the third Friday of November — and then I’ll be on hiatus for a month or two while I plan out next season and work on other projects. (More details to come.) Next season will mark Ganymede’s third, and probably final, season.

You can read the latest episode here:

Episode 11 – Departures

 

 

53 Ganymede: Episode 9 — Knock Knock

It’s the third Friday of the month and that means the latest episode of 53 Ganymede is out now!

Check out:

Episode 9 – Knock Knock

Only three more episodes to go this season and then I will probably be on hiatus for at least a month while I prepare the third season and work on other projects.

I hope everyone is enjoying this season! Don’t forget to comment or, better yet, leave a review on Web Fiction Guide to help other people find the series.

53 Ganymede Update and Web Fic Guide

Hi everyone!

First of all, 53 Ganymede is now listed on Web Fiction Guide! This makes it much easier for readers to find the series, but it also really helps if you check out the listing and give it a review. (You can do that HERE.) Let potential readers (and me!) know what you think and if you are really enjoying the series, don’t forget to share it with friends or family you think might also enjoy it.

In case you missed my update at the end of the last episode… I’ve been on a bit of hiatus while I welcome a new addition to my family. I was hoping to meet my scheduled deadline regardless… But thanks to raging pregnancy hormones I was basically a puddle for the last few weeks of my pregnancy. My mental health was a complete mess and my daily schedules evaporated along with my motivation and creativity.

Now that baby has arrived I’m short on sleep and time… But my will to function has at least returned and I am eager to get back to it.

Oddly enough, some of my most productive writing time was during the long periods when my daughter refused to sleep and I was spending most of the night sitting up with her, writing in the Gmail app of my phone. Thankfully this baby seems to be a bit of a better sleeper… So I just need to get in that habit again of sneaking in a few words on my phone whenever I have the opportunity.

Anyway, what it boils down to is I’m very eager to finish the next episode of Ganymede and, though it may be ambitious, I’d like to try to get back on track with my monthly release schedule. So keep your eyes peeled for a new episode Friday, April 20th.

Thank you to everyone who has been reading the series so far for being patient with me! And if you’re new to 53 Ganymede: Welcome! I hope you enjoy your stay.

Return to 53 Ganymede

I’ve spent the past couple of months on hiatus, mostly focusing on one of my larger works-in-progress, but I will be returning to 53 Ganymede soon!

The next couple of weeks will be devoted to doing some minor edits on the previous season and touching up the site organization before a brand new episode releases on Friday, November 17th. For now I’m reducing the release schedule to one episode a month; things are crazy over here (new baby on the way, renovations, etc.) and I’d rather produce quality content over quantity. I might be able to increase it back to every other week in the new year, but I’ll have to feel it out for now.

To those who have followed the series until now… thank you! I hope you enjoy the next season. I won’t give you any spoilers… but I can promise some more blue lights, brown paper packages, troublesome felines, new mysteries, and maybe even some answers too.

Long Overdue Update

So… yes, I’m still alive. I’ve been busy working on Prophecy but I am working hard on creating a stricter schedule for blog posts and other work (particularly 53 Ganymede).

I’m working on Episode 7 of Ganymede right now and I’m going to announce an actual release schedule for it along with the episode. Right now it’s looking like once a month, but if there’s anyway I feel I can squeeze it in bi-weekly I definitely will.

To be honest, I love the series. It makes me happy to write it and even to just brainstorm for it… I’ve been procrastinating the next episode because it doesn’t have a lot of readership and I’ve been trying to focus my energy on longer works. But… then I see the occasional hits… the few people who read it checking back to see if there’s a new episode… and it means the world to me. So I’m making time for it.

To everyone who has stuck with it this far… THANK YOU. It’s coming soon, I promise. You guys keep me going.

I’m (hopefully) about halfway done Prophecy and after that I plan to do some rewrites on a previous NaNoWriMo. I also have far too many other ideas pressing for attention… and in case you didn’t notice I have attention issues. So I’m focusing a lot of energy on creating a system to help me work more efficiently so I can finish the projects I’m working on and get to the ones queued up behind them.

Alright, that’s all for now. Episode 7 is in the works and will be up by the end of the week.

Representation and Creativity

The narratives we surround ourselves with inform our world-view, self-view, an our perception of others. If I didn’t believe narratives were important, powerful things, I wouldn’t be writing. Stories change us. Books, comics, film, video games… they reinforce or challenge what we see in our daily lives. They have the power to normalize just as they have the power to criticize and raise questions.

It should easily follow then that representation is important. It’s hard to build confidence when you’re invisible, or worse, constantly depicted as a shallow, stereotypical trope. It’s hard to understand the world you live in, to empathize with the variety of people around you, when you’re always fed the same watered down, censored version of that world. And yet, the demand for representation is constantly dismissed, ignored, or called into question.

Today, I want to talk about one of the arguments I’ve personally encountered and one that I find incredibly flimsy and contradictory. That demanding fair representation is detrimental to creativity.

I’ve had a number of people reassure me that by demanding more female/non-white/LGBTQ+/disabled characters, we create a perceived quota and therefore impede the “creative process” by altering the creator’s original vision. As if making a creator feel like they need to include a diverse cast somehow makes their work contrived and less valuable. Apparently, if a story is not exactly what the creator perceived in a moment of stream-of-consciousness it will be less “creative” than it would otherwise have been.

This logic makes me very, very frustrated. First of all… BECAUSE THAT’S NOT HOW CREATIVITY WORKS.

As any writer worth his or her salt will tell you… first drafts/ concept work are very different than the finished result. Because the creative process is exactly that. A process. Asking questions, picking out inconsistencies, switching out/combining characters… these are all necessary in taking the a rough skeleton of a story and making it something believable and immersive.

In essence, the skills needed to make our work more diverse are the same ones that we need to hone a bunch of ideas into a well-formatted story.

If you believe that asking yourself, “What would happen if this character were a woman?” or “Is there a reason this character NEEDS to be white?” will somehow destroy your narrative, then you are doing yourself a disservice. Unique, compelling stories come from our ability to ask questions. What if…? Why not…? If it frightens or frustrates you when people ask you why Character A is white, or if the love interest could have been the same sex, then either your arrogance or your personal biases (e.g. racial) are inhibiting your creativity.

new_mc_banner

Steven Universe is a compelling, unique kids show because it addresses diverse topics other shows have shied away from.

You don’t always have to have a main character who is a trans POC, or a queer romantic interest, but if you refuse to consider these things as possibilities on a regular basis, you are restricting your creative possibilities. (Not to mention missing a crucial opportunity to introspect on your personal prejudices and biases – hint: we all have them). Cliches and predictable plot devices can mean the death of a story, but they are all too common when you refuse to do anything different. When you refuse to make your characters different than the ones you’ve seen your whole life, how can you be surprised when people complain that your work is formulaic?

Disney movies are an excellent example of this. Most Disney princess films follow the same formula again and again and again. Girl is in trouble. (Evil stepmother, locked in a tower, trapped with a beast, forced to marry, enchanted slumber). Girl meets boy and they fall in love. Boy helps save girl (or just straight up rescues her depending how far back we’re going). There are exceptions, but they are few and far between.

I hardly think it’s a coincidence that both Frozen and Moana — stories that break the mold in multiple ways (aromantic plotlines, sympathetic villains, self-saving heroines) — both met with critical acclaim. Not only did they speak to the members of the audience who could finally see themselves reflected on the big screen, but they were different. Unpredictable. Exciting.

moana

Possibly my favourite Disney character of all time.

And can we please talk about the hypocrisy of saying that diverse media is somehow “contrived” or “forced”?

A video game/book/film with an all-woman or all-POC cast is announced and people shout that it has an agenda. But an all white male cast doesn’t? Why not? If you have an answer to that question… then congratulations! You also have an agenda. Which isn’t surprising because we all do; we all have intricate and pervasive opinions and experiences that seep into our art. Since all media is inherently human and therefore expressive of opinions and biases, when people bemoan “agendas” and “politics” in media, their actual complaint is with the specific intent of the agenda. The media of which they approve isn’t free of social commentary so a rejection of the “goals” of a diverse work signals their rejection of perspectives that differ from their own.

This emphasizes the importance of demanding equal representation in terms of CREATORS and not just characters. One movie, book, or game with a majority white-male cast is not contrived but does speak to the perspective and intent of the creators. A majority white-male cast in a sea of other majority white-male casts tells us something about who is being given a voice. Not only in the sense that we tend to create stories about people like ourselves… but that we are influenced by the environment we immerse ourselves in. An environment that up until now has seen little diversity in its media and fiction. If we want to break free of that mold, if we want to discover new stories about never-before-seen characters, then we need to be actively conscious of representation in our work and we need to embrace creators whose experiences and perspectives differ from our own.

So please. If you’re writing, ask yourself questions. Ask yourself WHY. Ask yourself WHAT IF and WHY NOT. Be receptive to criticism and acknowledge the legitimacy of people’s personal experiences. And as a viewer, a reader, a gamer… demand MORE. Don’t just be content with watching familiar narratives, seek out something new. Narratives that may not relate to your life personally, but relate to your relationship with a growing, global community. Support creators that may have been marginalized. Listen to their stories. You might just be surprised with what you find.

What do you think? What are some diverse pieces of media (books, games, movies, shows) that you wish more people would read? How do you handle diversity in your own work? Do you find yourself falling into stereotypes or tropes without realizing? Let me know in the comments!